Location: New York, USA
Programme: Installation
Status: Competition
Year: 2010
Client: Sukkah City
Area: 10m2
Team: Jacco van Wengerden, Naïm Niebuur,
Gijs Baks, Keimpke Zigterman
The Sukkah City international design competition issued the challenge of re-imagining the Sukkah, a temporary, hut-like structure that is built to commemorate the Jewish festival of Sukkot. Our response was a simple structure that exists on the border between heaven and earth, past and future.
According to Jewish tradition, the Sukkah must provide an entrance, and a space for eating, sleeping and conversation, as well as a half open roof that provides views to the sky.
This is achieved here with a contemporary appearance that seeks to explain that the times are changing. The repetitive framework reads like a stroboscope photograph capturing the movement through a series of still images, throughout time.
A single, rigorous and repetitive timber frame functions as both structure and skin while generating an interaction between shadow and light — a filter that provides shelter yet establishes contact with the sky.
The Sukkah is entirely made from waste and recycled building materials sourced from within the New York metropolitan area.
Location: New York, USA
Programme: Installation
Status: Competition
Year: 2010
Client: Sukkah City
Area: 10m2
Team: Jacco van Wengerden, Naïm Niebuur, Gijs Baks, Keimpke Zigterman
The Sukkah City international design competition issued the challenge of re-imagining the Sukkah, a temporary, hut-like structure that is built to commemorate the Jewish festival of Sukkot. Our response was a simple structure that exists on the border between heaven and earth, past and future.
According to Jewish tradition, the Sukkah must provide an entrance, and a space for eating, sleeping and conversation, as well as a half open roof that provides views to the sky.
This is achieved here with a contemporary appearance that seeks to
explain that the timesare changing. The repetitive framework reads like a stroboscope photograph capturing the movement through a series of still images, throughout time.
A single, rigorous and repetitive timber frame functions as both structure and skin while generating an interaction between shadow and light — a filter that provides shelter yet establishes contact with the sky.
The Sukkah is entirely made from waste and recycled building materials sourced from within the New York metropolitan area.
Location: New York, USA
Programme: Installation
Status: Competition
Year: 2010
Client: Sukkah City
Area: 10m2
Team: Jacco van Wengerden, Naïm Niebuur,
Gijs Baks, Keimpke Zigterman
The Sukkah City international design competition issued the challenge of re-imagining the Sukkah, a temporary, hut-like structure that is built to commemorate the Jewish festival of Sukkot. Our response was a simple structure that exists on the border between heaven and earth, past and future.
According to Jewish tradition, the Sukkah must provide an entrance, and a space for eating, sleeping and conversation, as well as a half open roof that provides views to the sky.
This is achieved here with a contemporary appearance that seeks to explain that the times are changing. The repetitive framework reads like a stroboscope photograph capturing the movement through a series of still images, throughout time.
A single, rigorous and repetitive timber frame functions as both structure and skin while generating an interaction between shadow and light — a filter that provides shelter yet establishes contact with the sky.
The Sukkah is entirely made from waste and recycled building materials sourced from within the New York metropolitan area.
Location: New York, USA
Programme: Installation
Status: Competition
Year: 2010
Client: Sukkah City
Area: 10m2
Team: Jacco van Wengerden, Naïm Niebuur, Gijs Baks, Keimpke Zigterman
The Sukkah City international design competition issued the challenge of re-imagining the Sukkah, a temporary, hut-like structure that is built to commemorate the Jewish festival of Sukkot. Our response was a simple structure that exists on the border between heaven and earth, past and future.
According to Jewish tradition, the Sukkah must provide an entrance, and a space for eating, sleeping and conversation, as well as a half open roof that provides views to the sky.
This is achieved here with a contemporary appearance that seeks to explain that the times
are changing. The repetitive framework reads like a stroboscope photograph capturing the movement through a series of still images, throughout time.
A single, rigorous and repetitive timber frame functions as both structure and skin while generating an interaction between shadow and light — a filter that provides shelter yet establishes contact with the sky.
The Sukkah is entirely made from waste and recycled building materials sourced from within the New York metropolitan area.